The hard seat is chilly beneath me, its orange plastic not yet warmed by previous human bodies on this commuter-sparse Sunday morning. We are on the A train, Nurse Greta, Diane, Molly, and myself riding just a few stops to avoid the uphill trek to the Cloisters Museum and Gardens. We get off almost as soon as we sit down and exit the station into a world that could be countries away from the Manhattan I have come to know in these last few weeks. The stone stairs, as we emerge from the city’s underground, unfold and climb through more foliage than I have yet seen in New York.
We pop out into the daylight of Fort Tryon Park. It is astounding. The multi-level layout with its granite walkways, walls, tunnels, occasional short sets of stairs. It provides a beautiful view of the Hudson from almost all of the different paths and trails and apparently we are not alone in thinking its weather-perfect day to be out here. If it wasn’t for Greta there is a good
chance I would have done my time in the city without ever knowing that any of this existed.
The paths through Tryon Park weave gracefully along as we pass people with dogs, babies in strollers, yoga on the lawn, and a weekend game of ultimate frisbee before opening up to the base of the museum. A cloister itself is an integral part of a monastery. The name was given to a square or open-air courtyard surrounded by covered passageways. It was basically a sheltered, sunny place where the monks or nuns living there could enjoy nature without leaving the confines of their home and place of worship. The Cloisters Museum contains 4 different cloister gardens, each with its own theme, time period reference, and sculpted fountain designating the center.
They are placed throughout the two floors of the structure. Medieval art of all different times and origins, collected in bits and pieces all over the world, grace the rooms and hallways throughout. As a branch of the Metropolitan Museum of Art it has been open to the public since 1938 and teems with architectural fragments of antiquital beauty incorporated into the fabric of the building itself. As we wander through, our allotted 50 minutes
of touring time flying by almost unnoticed, I am nothing less than bombarded with jaw-dropping
works of art. Here there is everything from ceramics, metalworks, stone carvings, wood sculpture, stained glass, immense hand-woven tapestries, and much much more.
Going in I know instantly why Greta has said several times that she wishes we didn’t have to be back so soon. Its not a huge museum but, with such a magnificent and well-kept collection, it deserves more of our attention than we can give it today. Sooner than I would have thought possible its time to scuttle outside and catch the bus back home…
But I’ll be back. I can guarantee that.

